by perpetualburn on Mon Dec 15, 2008 9:43 pm
Maybe people post big quotes because sometimes people ask questions that can easily be addressed with quotes..
as far as this nihilism goes
"Nihilism. It is ambiguous:
A. Nihilism as a sign of increased power of the spirit: as active nihilism.
B. Nihilism as decline and recession of the power of the spirit: as passive nihilism.
23 (Spring-Fall 1887)
Nihilism as a normal condition.
It can be a sign of strength: the spirit may have grown so strong that previous goals ("convictions," articles of faith) have become incommensurate (for a faith generally expresses the constraint of conditions of existence, submission to the authority of circumstances under which one flourishes, grows, gains power). Or a sign of the lack of strength to posit for oneself, productively, a goal, a why, a faith.
It reaches its maximum of relative strength as a violent force of destruction--as active nihilism.
Its opposite: the weary nihilism that no longer attacks; its most famous form, Buddhism; a passive nihilism, a sign of weakness. The strength of the spirit may be worn out, exhausted, so that previous goals and values have become incommensurate and no longer are believed; so that the synthesis of values and goals (on which every strong culture rests) dissolves and the individual values war against each other: disintegration--and whatever refreshes, heals, calms, numbs emerges into the foreground in various disguises, religious or moral, or political, or aesthetic, etc."
compare this with something from twilight of the idols
"In this state one enriches everything out of one's own fullness: whatever one sees, whatever one wills, is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power--until they are reflections of his perfection. This having to transform into perfection is--art. Even everything that he is not yet, becomes for him an occasion of joy in himself; in art man enjoys himself as perfection.
It would be permissible to imagine an opposite state, a specific anti-artistry by instinct--a mode of being which would impoverish all things, making them thin and consumptive. And, as a matter of fact, history is rich in such anti-artists, in such people who are starved by life and must of necessity grab things, eat them out, and make them more meager. This is, for example, the case of the genuine Christian--of Pascal, for example: a Christian who would at the same time be an artist simply does not occur. One should not be childish and object by naming Raphael or some homeopathic Christian of the nineteenth century: Raphael said Yes, Raphael did Yes; consequently, Raphael was no Christian."